Search results for 'Game of Thrones: Season 8'

Animation Supervisor Dave Clayton and CG Supervisor Mike Perry discuss their work on Game of Thrones: Season 8.

The eighth and final season of Game of Thrones was the most anticipated show in recent television history. See how we created more than 600 shots, including 30,000 zombie wights and thousands of Dothraki with flaming swords.

The season is punctuated with explosive dragon-fire and large-scale destruction as the bitter final battles are fought. We took the always outstanding practical work on the series and brought digital scale and spectacle with digital armies, strafing dragon fire, and a wealth of destruction.

By Rick MarshallOver the course of the final six episodes of Game of Thrones, audiences were treated to two massive battles and more than a few surprises — usually involving the death of high-profile characters.

Our latest company showreel features some of our most iconic projects over the last 25 years including our latest work on Avengers: Endgame, Alita: Battle Angel, Game of Thrones: Season 8, and The Umbrella Academy. Music by Sencit: Composer Mike Newportwww. mikenewport. com 

Portia McLean is a digital paint artist for Weta Digital and a visual artist based in Wellington, NZ. Over the years, she’s put her mark on both The Hobbit and Planet Of The Apes trilogies, Alita: Battle Angel, and most recently, Game of Thrones (Season 8).

An Academy Award-nominated Visual Effects Supervisor, Martin Hill has supervised over a dozen films.

Dave Clayton is a five-time Academy and BAFTA awards-nominated Animation Supervisor.

Visual Effects Supervisor Charlie Tait utilises his fine arts, engineering, technology and innovation background to bring projects to life, introducing an audience to subject matter that they may not otherwise connect with.